Air Edel Records have been busy with soundtrack releases by Patrick Jonsson and Omar Fadel.
Sundance Grand Jury Prize winning film Scrapper, scored by Patrick Jonsson.
Produced by Theo Barrowclough for the BBC, Scrapper is the directorial debut feature film from Charlotte Regan. Scrapper has been described by IndieWire’s Adam Solomons as “a smart, sensitive debut and a promising arrival for its talented director.” and follows the story of Georgie, a dreamy 12-year-old girl, who lives happily alone in her London flat, filling it with magic. Suddenly, her estranged father turns up and forces her to confront reality.
Enjoy the music from Scrapper here:
A short film from director Charlotte Regan. Patrick’s experimental approach to composition for this single creates a beautifully intricate and uplifting piece.
“This track was written for a short film directed by my friend Charlotte Regan called ‘Bikes’. I always love using short form content as an opportunity to experiment with different colours/ideas to what I’ve done in the past so this was a really exciting world to dive into, and something slightly different from me musically. I hope people enjoy it and that it transports them to the carefree world of young love and doing wheelies.
I had a lot of fun making it and hope that comes across.” said Patrick Jonsson.
Enjoy the music from Bikes here:
Original soundtrack by Omar Fadel from the documentary feature, directed and produced by Rémi Kessler.
‘The Advocates’ is a sweeping look at the history and causes of Los Angeles' current homeless crisis, and an intimate view of the tireless work of advocates who strive to create better lives for their homeless clients.
Enjoy the music from The Advocates here:
Is a mockumentary about the challenges faced by a young Egyptian director trying to shoot a kiss scene in a society leaning further into conservative values.
“[‘Kiss Me Not’ is] one of the buzz films of the Dubai International Film Festival. The feature film debut from Egyptian writer-director Ahmed Amer, 'Kiss Me Not' (Balash Tbousny) takes a series of comedy pot-shots at increasing prudishness and self-censorship in Egyptian cinema, and delivers an engagingly frothy film about the film business.” said Mark Adams (Screen Daily).
“This score is a melange of musical styles, and I had a lot of fun composing it! It’s equal parts Brazilian, Middle-Eastern and Big Band. I loved the challenge of getting these seemingly disparate musical genres to co-exist together, and I couldn’t be prouder of how it turned out.” said Omar Fadel.
Enjoy the music from Kiss Me not here: